Ignazio Macchiarella (ed.), Multipart Music: a Specific Mode of Musical Thinking, Expressive Behaviour and Sound. -- work in progress

Ignazio Macchiarella (ed), Multipart Music: a Specific Mode of Musical Thinking, Expressive Behaviour and Sound. Nota, Udine 2012 (ISBN 9788861630925)

Contents
Ignazio Macchiarella, Theorizing on Multipart Music Making
Enrique Camara de Landa, Multipart Music Making between Spain and Latin America: some considerations related to the theoretical proposals of Ignazio Macchiarella

Historical Perspectives
Gerda Lechleitner & Nona Lomidze, Early sound documents of multipart music: concepts and historical context, analysis and interpretation
Susanne Ziegler, Multipart music practices in historical perspective: recording versus notation.
Rossana Dalmonte, «As once and even more today, Music has to be involved in people and God»: Liszt’s sacred music for extra-liturgical occasions
Vasco Zara, Ad Infinitum. Polyphonic practices and theological discussions in Ars Nova’s time
Massimo Privitera, The Polyphony as an Emblem of Concorde in Early Modern Europe

Theory and Concepts
Hugo Ferran, The concepts of “part” and “multipart music” for the Maale of Southern Ethiopia
Žanna Pärtlas, Musical Thinking and Sonic Realization in Vocal Heterophony. The Case of the Wedding Songs of the Russian-Belarusian Borderland Tradition.
Jacques Bouët, Heterophony leads necessarily to a polyphony much less rudimentary than the hocket: listening recordings of Macedo-Roumanian (Gramoshtenes of Roumanian Dobrogea) and Xhosa (South Africa) plurivocal songs
Joseph Jordania, Social Factor in Traditional Polyphony: Definition, Creation, and Performance

Making Multipart Musics: Case Studies
Mauro Balma, Styles of chant and styles of life: synchronous changes in Cogne, a village in the western Alps (Italy)
Joško Ćaleta, Ojkanje - the (Multipart) Musical System of the Dalmatian Hinterland; the Social and Emotional Dimensions of the Performance Practices
Fulvia Caruso, Multipart singing in Latera: musical behaviour and sense of belonging
Daiva Račiūnaitė-Vyčinienė, Specific features of performing Lithuanian polyphonic songs – sutartinės: Singing as birdsong
Eno Koço, Styles of the Iso-based Multipart Unaccompanied Singing (IMUS) of south Albania and north Epirus
Giuseppe Massimo Rizzo, Sopila circular interactions
Girolamo Garofalo, Traces of Ison and Biphonies in Bizantin Chant of Sicilian Arbereshe.
Joao de Carvalho, Triads, trials and triangles: harmony singing, mobility and social structure in Mozambique
Gerald Florian Messner, The Reciprocity of Multipart Vocal Traditions and Socio-Cultural Structures

Pyrenees an emerging field
Philippe Cauguilhem, The polyphonic performance of plainchant, between history and ethnomusicology
Jean Jacques Casteret, Western Pyrenean multipart: A trans-historical approach.
Jaume Ayats, The lyrical rhythm that orders the world. How the rhythmic built the ritual space models in the religious chants of the Pyrenees
Jean-Christophe Maillard, Religious Traditional Multipart Singing in the Central Pyrenees
Iris Gayete, Time logic of the “Vespers of the Pyrenees”

Multipart Singing in Sardinia
Sebastiano Pilosu, Canto a Tenore and “visibility” comparing two communities: Orgosolo and Bortigali (Sardinia)
Marco Lutzu, Rediscovering a polyphonic tradition: the case of Nughedu San Nicolò (Sardinia)
Roberto Milleddu, Cal’est su “giustu” / What’s the right thing? Notes on multipart singing in Bosa (Sardinia)
Paolo Bravi, The practice of ornamentation in the multipart vocal music of Southern Sardinia. A ‘bifocal’ perspective in ethnomusicological analysis.
References

See the sound examples

http://www.multipartmusic.org/multipartmusic/node/114

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